Eddie Movies

8 Tips For Editing Success From Eddie Hamilton A.C.E.

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Wayne Imms interviewing Eddie on December 6, 2016

This week we’ll be sharing 8 pieces of advice from a professional editor covering various topics from your career to your craft to your work-life balance.

Our contributing author, Zsofia Szemeredy, recently had the opportunity to attend an exclusive event arranged by Soundstage in London, UK featuring guest speaker Eddie Hamilton.

Eddie is a world-famous editor who’s worked on over 50 films including blockbusters such as Kingsman: The Secret Service, X-Men: First Class and Mission Impossible: Rogue Nation. He shared a series of tips for the audience based on his years of experience and insight into the world of Hollywood film making.

Tip 1: The Most Important Elements to Success

According to Eddie, there are two major elements he’s found crucial to the process for a successful project.

  • Be brutally honest with the director and always give constructive feedback
  • Avoid the “bad marriage triangle”. Sometimes you will find that a producer and director have different types of films in mind. The editor can get caught in the middle and it’s best to spot this early in order to avoid hard feelings or difficult future working relationships.

Tip 2: Workflow

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A piece of Eddie’s timeline from Kingsman: The Secret Service. Found at www.eddiehamilton.com

As an editor on a Hollywood movie, one of the most important early tasks is to watch the dailies. Directors are busy shooting all day (and often all night) and often don’t have the time to review and find if there’s a shot missing or an actor needs to repeat a line. It’s frequently the job of the editor to watch the dailies and spot those things he believes he will need in post-production to effectively tell the story.

Eddie manages this by having his assistants assemble a timeline for him with every single camera shot, angle and line from that day. He skims through it in order to create a mental picture of what the scene(s) will ultimately end up looking like and can report back to the director if he feels something crucial is missing.

Important note, Eddie’s number one tip for editing a scene: Only use close-ups when you really want to make an impact. Don’t waste them!

Tip 3: Workload

Many of you know how many hours an editor can work during filming and post-production so Eddie typically has a team working alongside him. During Mission Impossible: Rogue Nation he employed four. The 1st assistant editor managed the workflow and delegated tasks to the 2nd assistant editor, who then delegated further to the trainees. Eddie won’t even hire a trainee until they have had at least three years of experience working on high-end TV or film projects.

As for how to handle the workload? Eddie’s answer was simple: “We are not in a coal mine! It’s the best job ever, you are on a multi-million dollar film set. Why would you not be happy?”

Tip 4: Be Patient

Eddie’s career had a tough start with many years of unemployment. He understands firsthand how hard it is to “make it” in the industry and advises everyone to stay dedicated if that’s the career they want to pursue. For example, Eddie remembers every single theater where he watched the Mission Impossible films (that’s going all the way back to 1996!)

Download 50 more professional editing tips here

 

Tip 5: Plan and Test

Planning – Months before a film shoot, Eddie will work closely with the director on previz. Previsualization is used to visualize complex scenes before filming. It allows the filmmakers to experiment with different staging and art direction options such as lighting, camera placement, movement and editing before production. On high budget films, even a second of staged footage can cost in the hundreds of thousands. There’s no time to waste and sometimes you don’t get multiple takes. Eddie says it’s crucial for him to figure out what he will want for the final edit and communicate that very clearly to the team.

Testing – Eddie retold a story about one time when an opening scene cut just wouldn’t work. It was shown to two different test audiences without positive feedback. He realized he had cut the entire thing too fast. It turned out that adding just 8 seconds made the difference. It allowed the scene to breathe a bit and the next test audience loved it. He stresses editors should keep in mind that “cutting too fast is a mistake we all make”.

A snapshot of the previsualization process created by 3D animation software company iClone

A snapshot of the previsualization process created by 3D animation software company iClone

Tip 6: Music

According to Eddie, often the way he uses music is dependent on the director. Some don’t want to use any until the very end and others can’t make decisions without it. Eddie stresses that you must be flexible, but he does have some preferences. For action scenes, he likes to edit silently in the beginning. With dialogue, he will or won’t add music depending on how the emotion flows. He says one of the best tricks he’s learned over the years has been to imagine the score while working and collaborate with your music editor to build it.

Tip 7: Working with Others

An editor can have a big impact on the entire feel of the film, so Eddie stresses that it’s vital you read the script and provide as much constructive feedback as you can. Many times, he is on board during the development phase to ensure everyone is on the same page.

He also likes to work very closely as a team with his editors. When staring at the same footage all day and night he has found himself losing perspective sometimes. In those instances, he will divide the work in half or allocate certain sequences to his assistants. Then a one-on-one or group review is done before the final polish.

Tip 8: Your Personal Life

During a film shoot in which you could be working up to 18 hours per day, 6 days a week, Eddie maintains that it’s important for him to take time for his health, no matter how stressful the situation. He always tries to take a minute for himself, squeeze in a workout and buy a healthy lunch to maintain stamina.

Editing Hollywood movies is a hectic career and lifestyle that can have some negative effects on your personal relationships. Eddie’s advice is to never forget the important dates such as Birthdays, Anniversaries, Mother’s Day and Valentine’s Day. Pay ahead for that flower subscription!

If you enjoyed this article and found some of the tips helpful or interesting, we’d love to hear it! Do you have any words of wisdom for maintaining a good work/life balance? Any suggestions on how to work with others in high-pressure situations?

Please leave a comment below, we read them all.

If you’d like to download another 50 free editing tips, please enjoy this 27-page editing guide.

Zsofi Szemeredy studies Marketing & Distribution at the National Film and Television School in London, UK. She also produces the Indie Film Distribution Summit. She’s been an ardent Star Wars, Harry Potter, and sci-fi lover since the age of 5. 

  • Film Editing Pro

    Hey guys, please leave a comment!

  • JungleJimbo

    Good tips! Thanks for posting.

  • asoldiercanoff

    Researching and preparing to shoot a 20 minute short, I found value in this especially where it mentioned not wasting those close-ups and also not editing too fast. A great tip for soon and another for later!

  • Abdul

    All of them are useful. I really like the subject.
    I appreciate you.

    Abdul
    Graduate student
    SCAD University

  • xwarriorprincess

    Any tips for one who is interested in editing nature videos, as in Ocean Creatures, Volcanoes, Tornadoes, etc, etc,?? Also what Cities, States or Countries offer the best work for Nature editing. I live in NY and can get no work at all.

    • Film Editing Pro

      Great idea for a topic – I’ll add it to our editorial calendar!

      • xwarriorprincess

        Appreciate it 🙂

  • Rui Guerra

    How about tips for editing a nature documentary? Using Final Cut Pro X here. What’s the workflow that you recommend? Editing while shooting or just at the end? Use just one timeline or make several “small stories” (compound clips?) that all together will make the end documentary? Other tips?

    • Kyle C.

      I’m guessing their first tip would be to stop using Final Cut.

  • Coelho De Moraes

    Excellent. Very good tips. Thanks.

  • Floridacoastdude

    Great stuff. As a Indie filmmaker and a marketing video production company, I know how hard this field can be and taxing on your marriage as well. The stress levels can be overwhelming. Too many cooks and not enough bottle washers adds to that stress as well.

    • Film Editing Pro

      Well-put – the personal toll we all pay for working in this field can definitely be high.

  • Michael D Ratcliff

    Good info. The flower subscription cracked me up.

    • Film Editing Pro

      (Ha – I liked that part too)

  • Megan Corcoran

    Great tips thanks!

  • Aaron Collins

    That’s some of the realist info I’ve heard on editing. Thanks Chris. Eddie actually brought a human side to the process.

  • Josh Allen

    Great interview, thanks!!

  • Marko Samy

    Great thanks