Editing “Rogue One” In 27 Months: With Colin Goudie
How would you feel editing the same movie for 27 months? Sound painful? Tedious? Even boring? Not if that movie is Rogue One. Colin Goudie,…
How would you feel editing the same movie for 27 months? Sound painful? Tedious? Even boring? Not if that movie is Rogue One. Colin Goudie,…
Ever wonder how documentary editors and filmmakers craft a compelling story from mountains of raw footage? In this article, we're going to explore this challenging…
Ever wonder what it's like to be an assistant editor on huge movies like Mission Impossible: Rogue Nation, Rogue One: A Star Wars Story and Kingsman: The Golden Circle?…
Without Gary Kurtz there wouldn’t have been a Star Wars film – at least not the Star Wars we know now. At the first Soundstage…
Film Editing Pro is pleased to present Jeremy Pitard, a graduate of our training course, The Art of Action Editing. Jeremy joined Film Editing Pro in February of…
This week we'll be sharing 8 pieces of advice from a professional editor covering various topics from your career to your craft to your work-life…
Today we have the pleasure of speaking with Jan-Lourens, a recent graduate of our full training course, The Art of Action Editing. Jan-Lourens joined Film Editing Pro in…
This week, we'd like to welcome film editor, Eric Ekman. Eric was the primary editor on the new film Dead Dead and has also edited…
Recently, Film Editing Pro had the opportunity to interview Ken Adachi – director and co-writer of the award-winning feature film, Dead Dad. The film is a realistic and…